October 15th, 2014
Photographers love gear. I love gear. But, in the end, my gear does ONE thing. It solves my problem(s.) Usually that problem involves getting something in front of the camera recorded for a publication, exhibition or web-site. The gear I use is constantly changing. Every couple years I create a new podcast to show what I NOW carry with me when working. This record of my gear is accurate for late summer of 2014. In a year or two it will be outdated, as will my cameras and I will have to do this all over again.
January 27th, 2015
Photography requires gear. Duh. That’s a given. Yet, the most important tool any photographer has is their mind, their eye, their humanity and their adaptability. Those are priceless, both in the fact that you can’t buy them and the fact that they are what will help you make exceptional photographs whenever you travel. Before you leave for any other culture, smart photographers prepare by reading up on cultural concerns they may encounter on the road.
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December 24th, 2014
I have heard the expression “Carpe diem: Seize the moment,” bantered about for as long as I can remember. (I am 57 years old, so that is a long time.) I have always known what the words meant, but only recently have I come to appreciate what they mean to me.
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Welcome to the Wells Point
What exactly is The Wells Point? The Wells Point is a web site with video podcasts and free information for aspiring and accomplished photographers. These podcasts and other information have been designed to stimulate your creativity and improve your craftsmanship.
The phrase the Wells Point also refers to an important tool to better appreciate how light, time of day and the resulting light's direction can be utilized to immediately improve your photography. View the podcast that explains how to use this in your work.
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Abigail Gumbiner is a photographer and sculptor living on the Central Coast of California. Combing her passion for the two media, she produced her Melded Arts work, which has been exhibited at the Orange County Center for Contemporary Art and the Art of Photography Show in San Diego as well as being featured in “The Handmade Photograph” magazine.
I recently sat down with David Brommer, the force behind the Real Exposures interview series, to discuss what Brommer describes as my “visually striking and highly moving photo-essays for magazines and non-profit organizations, including a project on the pesticide poisoning of California farm workers that was nominated for a Pulitzer Prize.” We also discussed my more recent photo-essay depicting homes that people had left behind during the recent foreclosure crisis.
I recently gave a class on personal projects and the photo-essay that was recorded and broadcast over the web by CreativeLive. Photo essays are compelling, dynamic, vivid mission statements of a photographer’s work — every photographer should have a working knowledge of this narrative art form. You can get a sample of the class by watching this preview segment.
In advance of my CreativeLive course called “Create Powerful Photo Essays & Personal Projects” I sat down to talk with Seshu Badrinath of the tiffinbox site to discuss the class and how photographers can create photo essays and personal projects as well as publish them on their own.
My favorite kind of photography is the personal project (or photo-essay.) The thing I like the least about them is the time and effort required to keep such projects organized. But, I need to be organized in order to execute the projects efficiently, to promote the work to potential funding sources and exhibitors, as well as to have the same work reviewed and published. I made this podcast explaining how I organize my personal projects.