Tagged With « aesthetic »
I was recently asked to to be one of four judges to pick the winners in the quarterly competition of the The Wedding Photojournalist Association. As I was looking at the work, I was reminded how I had judged the same competition six years ago, before I was blogging regularly. During this round of judging, I was keeping notes to share with the organization and the competitors. Naturally, I thought of turning those notes into this blog entry.
In this multi-media piece, I take you with me as I attend Waterfire, a long running piece of performance art held on the river in Providence. Waterfire is a spectacle to be enjoyed through the eyes and ears (as well as the nose.) To experience Waterfire check their schedule.
In Hanoi, Vietnam, my attention was captured by the small things I saw (and photographed) as well as by the energy of the city in the background, so I made this podcast, exploring both of those experiences.
One morning, as I rushed to meet my class in Singapore, I took my camera along with me for the ride.
During my recent time at the Maine Media Workshops there was much discussion about what is being called “convergence.” The idea is that in the future, still images, video and audio are going to converge into one common media. With nearly all communication moving to the world-wide-web, that logic is largely irrefutable. The works that results from this mixing of media is currently referred to as multi-media. The faculty, staff and students at the workshop spoke often about that. I have been making such multi-media pieces myself, often for this site. To me, one of the most interesting things about multi-media is that as a new medium, we have a unique opportunity to formulate the grammar, aesthetic and style of this new media-in-the-making.
I have been back in India for a few days after a week in Singapore. Returning reminds me how the chaos of India contrasts dramatically with the order of Singapore. As a street photographer, that same unruliness is one thing that makes India so compelling. On the other hand, as a person who thrives on efficiency and order, Singapore holds an equal attraction. I wrote in the first of these three blog entries about the “journey” that Singaporean society as a whole is trying to take as it moves up the economic ladder. As I see it, such progress will only be made when individuals embrace the more unruly aspects of the creative processes. In this blog entry, I will answer the query of one Singaporean who has taken on that challenge.
This podcast shows the process of editing and critiquing a set of photographs of India, which were created by workshop students from the Objectifs Center in Singapore. The goal was to get from approximately sixty images per person down to about twenty images. The final twenty images should tell the viewer something about the photographer as well as how they experienced India.
I almost never crop the photographs that I make. For me, the best images are captured by careful composition in the camera, and not ‘saved” by cropping after the fact. I will be the first to admit that I was not always so disciplined. In tracing my evolution from mad cropper to full frame perfectionist, I realized the idea of not cropping went from technical objective to moral imperative to aesthetic goal and now is a philosophical mission.