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Black and white vs Color (part three)
This is the final of three blog posts exploring the question of using color vs black and white in photography. To date, I have shared work that was intentionally made in color and later converted to black and white for comparison purposes. I also shared work that was made in color, but was intended to be experienced in black and white. After sharing those two sets of work I also wrote about factors to consider when choosing between the various media. In this last entry, I will offer some other, last thoughts on the two media. These points, and in fact all three blog entries apply to both looking at existing work and to making new work.
14
May 10
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About a month ago, my teenage daughter saw the new, sleek Olympus camera (the E-P1) that I have been using lately. She said she wanted to try it out. I was not sure if she was motivated by purely adolescent curiosity or her generation’s obsession with the newest, latest thing. I do know that although she spent her childhood in front of my camera being photographed for fun and work, she never has shown much interest in being behind the camera. Watching her use the new camera and then looking at the work she made set me to thinking (and blogging.)
05
Apr 10
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Some downsides of digital imaging
Digital imaging has transformed photography in many ways, mostly for the better, as far as I am concerned. One downside of digital is that photo-educators, like me, are nurturing a generation of photographers who have never used film nor developed photos in a darkroom. The next generation will, by and large, have missed the magical experience of watching an image come up in the developer. That moment was what hooked me (and thousands of other photographers like me) on the magic of photography. I recently came to appreciate other downsides of digital imaging.
15
Mar 10
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Golfers, psychotherapists and photographers
The legendary golfer, Jack Nicklaus is supposed to have said: “Golf is 90% mental.” So, you are asking yourself, what does golf (a sport I normally have no interest in) have to do with photography, the pursuit that I love? More than I ever thought, actually.
12
Oct 09
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A lesson in seeing and working a situation
This podcast explores the many different ways you can photograph one subject
07
Oct 09
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The keys to good street photography
I will soon be heading north to teach a class in “Street Photography” at the Maine Media Workshops. I was organizing my lessons, assignments and the images I will show the class, when a photographer who wanted to attend but could not, wrote me with some questions. I realized that answering his questions would help him grow AND help me improve the class I am about to teach.
10
Aug 09
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“Working” a situation when photographing
This podcast explores the important process “working” a situation, making a variety of images of a given subject, by changing the photographer’s position, the camera’s orientation, the focal length of the lens, etc.
03
Jun 09
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Planning your photography when working at twilight
This enhanced podcast introduces the viewer to the importance of planning in photography when working at twilight, in this case while photographing Water Fire, a periodic piece of performance art in Providence, Rhode Island.
08
Apr 09
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This podcast explores the process of making one image, from recognizing the potential of the situation for a photograph, through composing and metering of the photograph and then actually making a variety of images.
11
Mar 09
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Using light, angle and the time of day in making silhouettes
This podcast explores using light, angle and the time of day in making silhouettes.
11
Feb 09
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My “brief stint” as a fashion photographer
I was reading an interesting article in The New York Times about the Presidential dress code. Barack Obama’s recent choice to be photographed without his suit jacket in the Oval Office was front-page news. It rang a bell and then I remembered how another President’s fashion choices changed my life as a photographer.
02
Feb 09
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Photographs as mirrors and windows
I often tell my students that their best photographs are the ones that reflect their personalities, life experiences and outlooks. I was recently giving a presentation, when an audience member’s question stopped me cold and forced me to articulate how that same idea has played out in my own work.
26
Jan 09
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How I learned to critique photographs
I was reviewing another photographer’s work recently. Left and right, I was tossing off suggestions for improving the images. Though I was thinking intensely about the work, I was largely unaware of my own process, as I critiqued the work. When she asked me how I had learned to critique images so fluidly, I was stopped in my tracks.
19
Jan 09
