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I have been back in India for a few days after a week in Singapore. Returning reminds me how the chaos of India contrasts dramatically with the order of Singapore. As a street photographer, that same unruliness is one thing that makes India so compelling. On the other hand, as a person who thrives on efficiency and order, Singapore holds an equal attraction. I wrote in the first of these three blog entries about the “journey” that Singaporean society as a whole is trying to take as it moves up the economic ladder. As I see it, such progress will only be made when individuals embrace the more unruly aspects of the creative processes. In this blog entry, I will answer the query of one Singaporean who has taken on that challenge.
26
Jul 10
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I just finished up three short workshops in Singapore. As always, I enjoyed the place and the people there immensely. (The hot sticky weather is another story.) The food is good, the workshop where I was teaching is great and the infrastructure there is amazing. Still, my favorite part of Singapore is the struggle going on about their future. They are collectively aware that in order maintain their status as one of the most vibrant economies in the world they need to keep moving up the economic ladder. The step they aspire to make next, to become innovators/creators of new products and services, has the potential to vault them to the top of the pyramid.
23
Jul 10
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Who are the next victims of creative destruction?
Do you think there has been a lot of yelling and screaming as digital technology has transformed the world of photography (and more recently video?) You are right! But, in the eyes of some, the worst is yet to come. The next victim(s) of creative destruction are going to put up a huge stink as they go sadly into technological oblivion. Their yelling and screaming will make the ruckus that photographers raised pale by comparison.
09
Jul 10
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My favorite part of my favorite class
I recently wound up my time in Asia with a stop in Singapore, where I gave a few short presentations to large audiences as well as some longer workshops for smaller audiences. Everyone I worked with seemed happy with what I did, so I will be going back next year. So keep an eye on the workshops page of my website to see exactly when I will be going back and what I will be doing. The very last thing I did when I was there this year was to teach my favorite class. I ended that class with my favorite teaching exercise.
25
Jan 10
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At the intersection of the art and craft of photography
While spending a week in Calcutta, India, I saw (and photographed) many things. Having previously spent little time in Calcutta, everything I experienced and pondered there seemed to be doubly intense. This was quite a sensation, since going anywhere in India is always so intense. In the future, I will share some of my experiences and thoughts that came out of my time in the place also known as the “City of Joy.” One thing I did that was especially interesting was to see an exhibition by an Indian photographer, Prashant Panjiar. The work I saw exists almost perfectly at the intersection of the art and craft of photography.
25
Dec 09
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The class that I was teaching in India ended on the same note that many of my classes do. The students had made good progress and wanted to keep their creative growth going, after the class ended. I teased them, saying that about a week after the class they would all be “master” photographers. I say that to almost all my classes, because the things learned in a workshop take about a week to become an innate part of any student’s photography. The follow-up point is that about another week later, the skills they had learned in the class would start to diminish. The end of the joke is that about a month later, they would still be better photographers than when they entered the class, but no longer the “masters” they had briefly been. So what did I tell them to do to try to hold on to the “mastery” they had briefly achieved?
21
Dec 09
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I just finished classes in Singapore and India, two countries that could not appear to be more different. In Singapore I taught evening seminars, while in India, I taught a class over four days on “light, shadow, twilight and night.” Regardless of length, all the classes were journeys of sorts, physical and/or intellectual. On all of these “trips,” I was accompanied by different groups of Singaporean photographers. Working in such divergent countries, just a few days apart, got me thinking.
18
Dec 09
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Watching as artists embrace and transform a new technology
In my last blog post, I discussed ways artists/photographers use technology in both intended and unintended ways in order to tell their stories and/or express their ideas. This kind of hybrid-ization of technology is an ongoing process. For me, the latest stop on that path is in multi-media/video. My wife’s work, animating family photos, is her newest step in that ongoing process. I was recently reading about a new technology that I have already been using in its intended form. I realized how ripe that same technology is for experimentation. Soon artists/photographers will be exploiting that same technology in new and unintended ways. I think the really fun part will be watching this happen, observing the explorations as they happen rather than looking back after the fact and only then connecting the dots.
11
Dec 09
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Technology as artistic opportunity and aesthetic hurdle
My wife, who is a photographer, has been producing some compelling animations / videos based on multi-generational portraits of Indian women. In the process of making the work, she went through a series of hurdles, just like any creative person would. She first struggled through the process of conceptualizing and defining the project. Once she knew what she wanted to do, she then applied for and had good luck getting a grant to fund the initial photographing and the post-production of the work. Over time the project evolved. She has recently completed the creation of the finished pieces. The work uses some of the latest digital technology to raise some interesting questions about time, memory and photographs. In the process of making the work, it seems she got a little too far in front of the existing technology. So much so that one of our current projects is to figure out what existing technology can be used to present her work in the exact way that she wants it be experienced.
07
Dec 09
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Why photographers need editors
There are numerous aphorisms about what separates the serious/successful photographer from the amateurs/posers. Great quotes, such as: “Hobby photographers worry about equipment; Professional photographers worry about money; Master photographers worry about light” are already out there. In this blog entry, I propose to add one more to the list.
18
Sep 09
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This photography podcast uses audio, images and animation to take the viewer to the mountains of Guatemala.
09
Sep 09
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Working outside of the Photo-shop centered mainstream
On my ride home from the Maine Media workshops, where I was teaching a class in street photography, I reflected on everything that happened during the workshop. It was a great group of photographers, who grew as individuals AND supported each other as they went through the sometimes-difficult process of growing and changing. Many things that were said and/or done are potential seeds of blog entries. One difficult question that I heard from two different photographers is what I am writing about this week.
31
Aug 09
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An update after a week at the Maine Media Workshops
I am finishing up a great week at the Maine Media Workshops in Rockport, Maine. There were a whole bunch of small highlights during the class that I think are worth sharing.
28
Aug 09
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I had an e-mail exchange recently with student on the question of creativity. He was not asking about software or lens choices, though those are perfectly valid questions at different points. He was asking the biggest, toughest question of all. I was impressed that he was able to articulate the question. He seemed impressed with my answer. That was when I realized that our exchange was worthy of a blog piece.
29
May 09
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This podcast portrays the chaotic nature of road traffic in Bangalore, India
20
May 09
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The background of the “light studies” of David H. Wells
This podcast explores the evolution of my “light studies,” which are photo-essays on the light and atmosphere of a given place. The first “light study,” on a train station in Philadelphia has since led me to do these projects across the globe.
25
Feb 09
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The workshop I always wanted to attend
As an aspiring documentary photographer/photo-essayist there was always one workshop I always wanted to attend, but I never could. Now that I am in fact “established,” there is one workshop I really want to teach, but I wonder if other students would want to attend such a workshop.
06
Feb 09
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One photographer’s career path
This podcast explores my career path, from student photographer to established professional. As I tell my story, I show photographs from the many phases of my career.
28
Jan 09
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Photographs as mirrors and windows
I often tell my students that their best photographs are the ones that reflect their personalities, life experiences and outlooks. I was recently giving a presentation, when an audience member’s question stopped me cold and forced me to articulate how that same idea has played out in my own work.
26
Jan 09
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Where I learned the most about photographing
I recently realized that if I carefully look at my career as a photographer, I can pinpoint where I learned the most about the act of photographing. It was not in high school, where I learned the craft of photography. Nor was it in college, where my study of the history of photography taught me about the art of photography. It was in a different place, one that I fear is fast disappearing from the photographic landscape.
16
Jan 09
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Creative evolution of my project “Concurrence: India”
This podcast explores the creative evolution of my project, “Concurrence: India.” The work evolved from a literal reportage on globalization to a more personal exploration of the fluctuating encounter between the eternal and the modern.
31
Dec 08
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Photography, poetry and crossing disciplines
I stumbled across a great quote recently. It is about poets, but I immediately thought how it applies to photographers. Following on my last entry, about the importance of practice, I got to thinking about how a lot of things cross the lines that appear to divide different mediums, but really are common to most all of them.
15
Dec 08
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This enhanced podcast takes the viewer on a visual journey through India while riding on an auto rickshaw, a traditional mode of transportation.
03
Dec 08
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One of my favorite photography books of all time is a remarkably simple book called On Being A Photographer.
29
Sep 08
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Photography driven Marketing campaign
My agency, Aurora photos, is running an interesting marketing campaign that explores both the artistic and commercial aspects of photography.
19
Sep 08
