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Technologies, necessary and otherwise (part three)
This is the last of three blog entries, for the moment, exploring my thoughts on technology. The entire set came from things swirling through my head lately. Events, especially e-mails, prompted me to organize those thoughts into the first two e-mails. This entry explores the starting point for all three posts, which was the fairly non-technical process of spring-cleaning.
26
Apr 10
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Technologies, necessary and otherwise (part two)
Earlier this week, I blogged about GPS technology and how one photographer, Lowell, had found a great use for that particular technology, one that does not interest me in the least. Another photographer, Michael, recently wrote me about another technological question he had issues with. I know now how he and I deal with the technology in question, but we wondered about others.
23
Apr 10
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Technologies, necessary and otherwise (part one)
I recently blogged about what I think of as the four questions each photographer should ask themselves. The fourth, and newest question was “What technology/software/camera gear will keep me focused on what I do best…?” The idea was that we are so overwhelmed with new digital imaging technology offerings that sometimes it’s hard to see the forest for the trees. A recent email exchange prompted me to think about that question again. This will be the first of a few blog entries exploring my thoughts on digital imaging technologies, necessary and otherwise.
19
Apr 10
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How do you critique photographs?
How do you become a better photographer? That’s the big question isn’t it? In my experience, the best way is to take a lot of pictures and then get serious feedback on those same photos. (The second best way is to look at the work of other photographers.) With that in mind, then how exactly how do you critique photographs? As I say in my classes, “Saying wow, neat or cool is not critiquing photographs.” To seriously give (and get) feedback on photographs, we need a common, serious, analytical language for critiquing photographs.
16
Apr 10
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Surviving “Hell Week” in fine-art photography
The phrase “Hell Week” refers to a number of similar rituals, among them the initial time of hazing in college fraternities, the most rigorous component of the United States Navy SEAL training program, a police academy’s most rigorous training regimen, the technical week of theatre rehearsals or the most common usage, the week of intensive conditioning before the start of any season of a sport. There are undoubtedly other examples of this ritual of hard work, emotional stress and personal challenges. The first “Hell Week” that I survived was at the start of my first of two seasons playing water polo in sunny Southern California. A couple of friends recently survived what I have come to think of as the “fine-art photography” version of “Hell Week.”
09
Apr 10
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An introduction to critiquing photographs
This podcast introduces a clearly delineated set of criteria to use in critiquing and analyzing photographs, regardless of the type of photograph.
30
Dec 09
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An editing exercise - part two of two parts
This podcast takes you through the second section of a two part process of editing a large number of images down top a select few.
02
Dec 09
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An editing exercise - part one of two parts
This podcast takes you through the process of editing a large number of images down top a select few.
18
Nov 09
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An almost foolproof on-line submission system for competitions
I was recently preparing my submission for the Aperture Portfolio Prize competition. I had a bit of a pleasant surprise when I submitted work from my project: Foreclosed Dreams. Though I have mixed feelings about competitions that require you to buy something, in this case, the subscription to Aperture that I had to buy in order to enter seemed to be a good investment. I entered because I am at the point in the project where I have done some work, but before I decide to invest lots of time (and money,) I want some outside feedback on that work.
20
Jul 09
