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In this podcast, fine-art photographer, Annu Palakunnathu Matthew takes you along as she tests what is, in essence, a digital Holga.
05
May 10
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Pictures, purges and process (part one)
I recently wound up a series of blog entries exploring my experiences with and thoughts about technology. The non-technological process of spring-cleaning prompted all of these posts. In the process of that cleaning (or more accurately my massive archival purge,) I looked at thousands and thousands of my old images. Some scared me, some impressed me and some surprised me. Though it was not my intention, it turned out to be a great way to consider the arc of my evolution, as a photographer and as a professional.
30
Apr 10
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Technologies, necessary and otherwise (part three)
This is the last of three blog entries, for the moment, exploring my thoughts on technology. The entire set came from things swirling through my head lately. Events, especially e-mails, prompted me to organize those thoughts into the first two e-mails. This entry explores the starting point for all three posts, which was the fairly non-technical process of spring-cleaning.
26
Apr 10
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About a month ago, my teenage daughter saw the new, sleek Olympus camera (the E-P1) that I have been using lately. She said she wanted to try it out. I was not sure if she was motivated by purely adolescent curiosity or her generation’s obsession with the newest, latest thing. I do know that although she spent her childhood in front of my camera being photographed for fun and work, she never has shown much interest in being behind the camera. Watching her use the new camera and then looking at the work she made set me to thinking (and blogging.)
05
Apr 10
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Everything you should know about buying a serious camera
I am working with an intern who is looking to move from film to digital photography. A family friend is moving up from a point-and-shoot to a serious Digital SLR. After giving both of them the same basic answers, I realized that their question is one I have answered dozens of times over the years. I also I realized that their question (and especially my answers) are a blog entry in the making.
29
Mar 10
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One small history of Indian photography – Part two
(In the first chapter of this blog entry, I introduced Prabhu Photo, a state-of-the-art photo lab in Bangalore, India where I had my E-6 slide film processed for merely a decade. The changing business climate for Prabhu photo is a bellwether for the changing imaging landscape in India.) I was such a regular at Prabhu that I kept my own loupe (magnifier) at the lab and I also had my own set of cotton gloves for handling the film without fingerprints. The young men who worked for Prabhu ended up knowing the drill as well, including knowing not to cut my film and what kind of coffee to bring me half ay through my edits to keep me awake. Those sessions at the light box alternated between exciting and heart-breaking, depending on how well or badly I had done in capturing on film what had been in front of my camera.
08
Jan 10
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One small history of Indian photography – Part one
I have been spending a lot of time at Prabhu Photo, a state-of-the-art photo lab in Bangalore, India. Back in the day, in the last century, (hah,) when I was shooting color slides, I used to have them processed at that same lab. Now that I have gone digital, I am going there to have color prints made from digital files. These prints are mostly for the various Indians I, or my wife, have been photographing. In the time I have known and worked with the proprietor, Allama Prabhu, I have seen his business grow and grow and more recently contract and contract. The change in the business of Prabhu Photo is something of a microcosm for the history of photographic processes in India. The amazing thing is that I am only talking about a short, thirteen year “history.”
04
Jan 10
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At the intersection of the art and craft of photography
While spending a week in Calcutta, India, I saw (and photographed) many things. Having previously spent little time in Calcutta, everything I experienced and pondered there seemed to be doubly intense. This was quite a sensation, since going anywhere in India is always so intense. In the future, I will share some of my experiences and thoughts that came out of my time in the place also known as the “City of Joy.” One thing I did that was especially interesting was to see an exhibition by an Indian photographer, Prashant Panjiar. The work I saw exists almost perfectly at the intersection of the art and craft of photography.
25
Dec 09
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Kodachrome is dead, long live Kodachrome
With the announcement that Kodak is discontinuing its legendary color slide film, Kodachrome, I find myself frequently humming Paul Simon’s song about that film. Then I got to thinking about the film, which I once used in VERY large quantities. Finally, I came to consider the film’s successor(s.) Just like when the ruler of a country dies, he (or she) might be gone but the next leader is soon in place and most importantly, the institution lives on. That is how I see Kodachrome’s and photography’ continuing forward.
29
Jun 09
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Frequent Flyer (Part One:) Before and After Digital
Like most photojournalists, I fly a lot for work. My experiences flying (both good and bad) can be divided into two periods, pre-digital and post digital. “Going digital” has had obvious benefits technologically, but also unanticipated benefits socially, especially when I am traveling.
15
Jun 09
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I had an e-mail exchange recently with student on the question of creativity. He was not asking about software or lens choices, though those are perfectly valid questions at different points. He was asking the biggest, toughest question of all. I was impressed that he was able to articulate the question. He seemed impressed with my answer. That was when I realized that our exchange was worthy of a blog piece.
29
May 09
