thewellspoint the place on the web for improving your photography

Tagged With « language »

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  Feedback through instant editing

  Last week I blogged about what I now call “instant editing.” The idea was to share the top forty or sixty images from one day’s shoot with about ten peers right at the end of the day’s photographing in order to get some input on how to improve when photographing the next day. Last week, I talked about how I started this process (and why I hope to use it more in the future.) This week I want to share some of the comments that I received from my “reviewers.” What I found so interesting was not just what they said about the work, but how they said it. Their thinking is so compelling that I wanted to share it in order to possibly help others edit sets of images in the future.

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  Mar 12
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  How do you critique photographs?

  How do you become a better photographer? That’s the big question isn’t it? In my experience, the best way is to take a lot of pictures and then get serious feedback on those same photos. (The second best way is to look at the work of other photographers.) With that in mind, then how exactly how do you critique photographs? As I say in my classes, “Saying wow, neat or cool is not critiquing photographs.” To seriously give (and get) feedback on photographs, we need a common, serious, analytical language for critiquing photographs.

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  Apr 10
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  Face to face with the law of unintended consequences

  Recent experiences have reminded me of one of my favorite economist’s terms, the so-called “law of unintended consequences.” It is not a law in the literal sense, but refers to the idea that actions of people—and especially of organizations—often have effects that are unanticipated or unintended. Economists and other social scientists have long understood this, but organizations and individuals often ignore it at their peril. I am not sure why, but when I am in South Asia, I think about this more often than I do at home.

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  Jan 10
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  An introduction to critiquing photographs

  This podcast introduces a clearly delineated set of criteria to use in critiquing and analyzing photographs, regardless of the type of photograph.

  30

  Dec 09
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  Learning the language of photography

  Besides teaching workshops around the world, I run a few small on-line critique groups. These usually arise out of workshops where the students in the group have bonded and do not want to end the critiquing/dialogue that is at the core of any good workshop. So we meet in a conference call approximately every six weeks, catch-up on photography happenings and review work together on-line. Some interesting dialogues are born in these meetings. One particular thread of discussion from one meeting is well worth sharing.

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  Oct 09