Tagged With « method »
I am continuing my time in India, most recently hosting some old friends from Brazil as well as my daughter (and her friend.) As we have been taking them around, I have been again paying attention to the advice, warnings and cultural highlights I have shared with them. I recently blogged about some of those same things and this blog entry is ANOTHER collection of advice to anyone considering visiting India, including people in my future workshops in India.
I am about half way through a six month adventure in South Asia. I am going to be leading more photography workshops to India in the future, including ones in February and December of 2013. Both of these realities prompted me to pay attention to the day to day routines I encounter (and practice) in India, in order to share them with readers of this blog and future workshop attendees coming to India.
In last week’s blog entry I parsed an e-mail from a “soon-to-be graduate” The two questions that he raised were: “…what are your favorite aspects of your work” and “…how someone could break into a field like this.” I suggested the real question to ask and answer was “…what are your least favorite aspects of your work.” I answered that question last week so now I can turn to the “…how someone could break into a field like this.”
With a subject line like the title above, how could I not reply to the e-mail that recently came in from a “soon-to-be graduate” and how could I not turn my reply it into a blog? I have been sitting on this for awhile trying to figure out how to answer without turning into some cranky old man talking about the ”good old days.”
I work a lot in the developing world, partly because my wife is from India. Before we met, I was also working a lot in the nether-reaches of the globe because personal projects and paying work took me there. A friend just asked me if I had any tips he could incorporate into his working process as he heads off to Mexico. The challenge for me in writing this blog was not coming up with advice but rather with figuring out how to explain those things that I do almost automatically when I am photographing in places like India, Guatemala, Vietnam or Turkey.
Editing a large set of images down to a select few is a challenge for most photographers. In this podcast, I take you with me as I am photographing and then you watch and listen as I am editing my “shoot” down to the selects.
Golf, as a sport and the popular obsession with it have long mystified me. Even in the wake of the recent crash and burn of Tiger Woods, I normally would not follow it much. However, a friend who is as much a golfer as he is a photographer has pressed me to write something about golf and photography and I did so back in October of 2009. I would have left it there but I recently stumbled on a great article in the New York Times titled, “A Lesson About Lessons,” by Bill Pennington. As I read it, I thought that much of what he wrote applies to photography as much as to golf.
How do you become a better photographer? That’s the big question isn’t it? In my experience, the best way is to take a lot of pictures and then get serious feedback on those same photos. (The second best way is to look at the work of other photographers.) With that in mind, then how exactly how do you critique photographs? As I say in my classes, “Saying wow, neat or cool is not critiquing photographs.” To seriously give (and get) feedback on photographs, we need a common, serious, analytical language for critiquing photographs.
This podcast introduces a clearly delineated set of criteria to use in critiquing and analyzing photographs, regardless of the type of photograph.