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Sculpted Photographs - The art of Abigail Gumbiner
A long-time friend is an artist whose latest work is at the intersection of her two passions, photography and sculpture. To introduce others to her work, I made this profile video.
16
Nov 11
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What 9/11 did NOT change in my photography
Last week I blogged about how the terrible events of 9/11/01 changed photography. (Or maybe more accurately, how the photography that came out of that day highlighted the changes in the culture of photography that were just picking up speed at that moment.) That essay was written from the perspective of a blogger first and a photographer second. This week I approach the same topic the other way, as a photographer first and a blogger second.
23
Sep 11
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I just finished teaching a series of photography workshops in Asia, including my favorite photo-essay class. In that workshop, students initially practice the skills required for a long-term photo-essay AND then they start working on the project of their choosing. I show them how the hardest part of a good essay is defining the project. I was reminded in Singapore how a good workshop group, one that is willing to share ideas, can make that process of defining a project much easier. Just as this was happening, I was also having an e-mail exchange with an American photographer, who seemed concerned about keeping his project idea to himself. I am still trying to figure out if the diverging thinking on sharing ideas was an aberration, or if it tells us something about the difference between Singaporean and American mindsets.
13
Jan 11
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Photography workshops as creative communities
I just finished teaching a great class in street photography. The students were lively, the locations we photographed were interesting and the creative community where I was teaching was incredibly stimulating. During the time I was working at the Maine Media Workshops, I dined with, talked to and saw the work of some of contemporary photography’s masters. In the class I was teaching, there were people who had the potential to be the next generation of photography’s masters. On the way home from Maine, we stopped in to see an old friend, a former assistant who I had worked with years ago at the Workshops. It was eight great days immersed deeply in the community of people who love photography. It got me thinking…..
30
Aug 10
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10
Feb 10
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Onward and __ward in the world of stock photography (part two of two)
Because I make my living primarily as a stock photographer I spend a great deal of time and energy trying to understand the “stock market.” (I am not referring to the one in New York City’s financial district.) Today, the market for and suppliers of stock photography cross the globe. So the more I know about the business, the more successful I will be within that growing global market. In the first part of this two-part blog entry I wrote about which of my own images seem to work better and why. Now I am writing about other concerns that any stock photographer (practicing or aspiring) should think about.
05
Feb 10
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Onward and __ward in stock photography (part one of two)
I make my living primarily as a stock photographer meaning most of my income comes from licensing the publication of existing images. This is compared to being primarily an assignment photographer or a teacher of photography (though I do plenty of both.) The stock photography business is known to be increasingly competitive, with too much supply and not enough demand, the classic signs of a declining market. A few recent experiences served to remind me which parts of the market for stock photography are still doing reasonably well and why!
01
Feb 10
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Blurring the lines between art and commerce
You hear and read a lot about how the lines between the worlds of art photography and commercial photography are continually being blurred. In most ways that is good. I recently lived through a particularly interesting experience that shows just how much these once distinctive realms are blurring.
09
Jan 09
