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Tagged With « philosophy »

  • A blessing and a curse

    I have been putting a lot of time lately into my project photographing inside homes after the foreclosure and before the houses are cleaned up and resold. That moment is when I see what I think of the “ghosts” of the people who used to live in those homes. The work has been very well received lately, which got me wondering why that is. The educator in me (and the photographer in me) both want to understand why the images seem to work well for others. Every photographer has an idea about what his or her work should do for the viewer of the work, but so what. When a body of work succeeds in both the photographer’s mind and the viewer’s eye that’s something worth thinking about.

    27

    Apr 12

  • The failure of photography in tragedies beyond 9/11

    For the last two weeks, I have been blogging about photography and the events of 9/11. First, I explored how the attacks have become something of a milestone marking major changes in the business and culture of photography. Then I pondered how those same events helped me understand my own process as a photographer. This week, I am considering what photography fails to do when it comes to tragedies, like 9/11.

    30

    Sep 11

  • The best college for photographers

    My daughter is about to start her fresh-man (fresh-person?) orientation at college. This “momentous” occasion prompted me to think about college in general, as well as my own experience in college. Finally that led me to this blog entry, considering which is the “best” college for photographers.

    19

    Aug 11

  • A fifth photographer’s problem

    I have written extensively about what I describe as the four “photographer’s problems” (or questions.) These are issues that every serious photographer should consider regularly. I mention these in classes and during presentations to get photographers thinking about photography’s important issues, rather than obsessing about the gear they use. I am surprised to say that I am thinking of adding a fifth question, but I am not 100% sure. Writing this blog entry may help me think out loud, as I decide, four or five?

    03

    Dec 10

  • The thinking behind my photo-essay “Foreclosed Dreams”

    In this podcast, I take you with me as I am photographing part of my ongoing photo-essay “Foreclosed Dreams.”

    13

    Oct 10

  • Formulating the grammar, aesthetic and style of multi-media

    During my recent time at the Maine Media Workshops there was much discussion about what is being called “convergence.” The idea is that in the future, still images, video and audio are going to converge into one common media. With nearly all communication moving to the world-wide-web, that logic is largely irrefutable. The works that results from this mixing of media is currently referred to as multi-media. The faculty, staff and students at the workshop spoke often about that. I have been making such multi-media pieces myself, often for this site. To me, one of the most interesting things about multi-media is that as a new medium, we have a unique opportunity to formulate the grammar, aesthetic and style of this new media-in-the-making.

    03

    Sep 10

  • A public radio interview with David H. Wells

    In 1992, I was interviewed by Melinda Whiting for Artscape, a public radio arts and culture program in Philadelphia. Our discussion started with my Middle East work. It went on to explore the intersection between art and photojournalism. Though the interview is 18 years old, the questions it raises are still relevant.

    28

    Jul 10

  • The four questions each photographer should ask themselves

    The Jewish holiday of Passover (or Pesach) is almost here and with it comes the Seder. That ritualized meal marks the holiday as it prompts the attendees to eat and to ask themselves some important questions. These include important questions of freedom vs. slavery and vengeance vs. empathy. One highlight of the Seder ritual is the asking of the four questions, by the youngest person at the table. Though I have long since given up on being the one to ask those questions, I have been compiling my own list of four questions for photographers. This time of year seemed to be the logical time to share those.

    26

    Mar 10

  • Learning how you learn, photographically and otherwise

    I recently finished my annual class built around photographing the Tucson Rodeo. The weather was great and the pictures were even better! Most everyone we encountered was happy to be photographed. The class was a small group, so everyone got lots of attention. Because it was such a small group, I had time to analyze how each person learned. By the time the class was over, events had reminded me that in some ways, the most important thing ANY student should learn is exactly how they do learn.

    12

    Mar 10

  • Darwinian competition among photographers….

    I am now working out West. Last week I was in California photographing for my ongoing project on the foreclosure crisis. This week I am in Arizona photographing and teaching a workshop at the Tucson Rodeo. I am thrilled to be out of the cold in the Northeast. Since coming West, I have been watching some of the winter Olympics. That way I get to look at plenty of snow and ice, without, of course, the shivering that comes with it. Watching the competition in Vancouver, I noted the ever-narrower differences between the medalists and the also-rans. This got me to thinking about evolutionary biology and that lead me back to photographers.

    22

    Feb 10

  • Thinking points for any photographer

    I was recently catching up on my reading of photography magazines and enjoying one of my favorite magazines. I remembered what great a resource it was and how much I had learned from the recently started publication. Then I also remembered it was free, which made it all that much of a better “read.” I am assuming they make their money via advertising because they are not making it via subscriptions. I think one reason they are so successful (and get lots of advertising) is that they do a good job of staying “on message.” They focus on their one area of interest and largely ignoring the rest of the vast world of digital photography.

    19

    Feb 10

  • Thinking about photographs, not photography

    I spend a great deal of time thinking about photography (duh.) Recently, I had some encounters where I was pressed to think about the photograph itself. As I was thinking about that, I noted that most of my energy is concentrated on the process of photographing, rather than on the outcome of that process, the actual photograph. As I listened to other people talking about actual photographs, I had a “chicken vs. egg” moments, where I was unclear, which came first, the process of photography or the product?

    27

    Nov 09

  • Isolated or interacting, that is the question

    Back in August, I wrote a blog post titled “A big, what is the meaning of life, kind of question.” I was intrigued when a friend wrote me back with his answers to the questions that I had posed (and then answered.) Some of his answers were so specific to his life and work that, though they were interesting to me, I am not sure the points he raised would be of interest to anyone else. He did raise one point that is almost universal for photographers, which became the seed of another blog post.

    28

    Sep 09

  • Top ten keys to be a successful photojournalist (Part two)

    I just wound up an interesting assignment in California.  I wrote the first half of this two-part blog entry right after the first day of the project.  Now that I have finished and I am writing the second half of the entry, certain points I wanted to share are even clearer to me than when I started.

    04

    May 09

  • Top ten keys to be a successful photojournalist (Part one)

    I am starting an interesting assignment in California.  So far, it has been a lot of fun, but it has also been a great deal of hard work. To be honest, because I do not work on as many assignments as I once did, I was worried I would be rusty.  In fact it has been quite the opposite. All the skills I developed over the decades that I was doing assignment work came back to me easily, a bit like riding a bicycle (or motorcycle.) Thinking about them led me to writing them down as a blog post.

    01

    May 09

  • The art of editing – The editing of art

    In the last week, I have been editing lots of images, looking at thousands and cutting those down to hundreds (or less.) Over the years, I have become a pretty fast editor who can easily articulate why an image does (or does not) work. When a good friend told me she was having trouble editing down her own work, I walked her through some strategies to help her improve her editing skills. By the time we were finished, I realized our conversation was “made” to be a blog entry.

    27

    Apr 09

  • David Wells “in the news”

    One place you can see what I have been up to is on a blog posting written about me.

    05

    Sep 08

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