Tagged With « photo-essay »
Over the last three years I have been photographing inside foreclosed houses, right after the actual foreclosure and before they are cleaned up to be put back on the market. That is when I can photograph the “ghosts” of the families that used to be in those houses. While this project is based on the still photographs, I am also assembling an audio collage.
Last week I blogged about how the terrible events of 9/11/01 changed photography. (Or maybe more accurately, how the photography that came out of that day highlighted the changes in the culture of photography that were just picking up speed at that moment.) That essay was written from the perspective of a blogger first and a photographer second. This week I approach the same topic the other way, as a photographer first and a blogger second.
My recent road trip left me with a lot of time for thinking about, among other things, books. In the “old” days, which were not that long ago, such a trip would mean buying / reading a few books over the six weeks I was on the road. It also meant planning how to get the books while traveling, how to carry them and where to leave them (or who to give them to) when I was finished, This trip, that whole routine was gone.
In this podcast, I take you with me as I am photographing part of my ongoing photo-essay “Foreclosed Dreams.”
The members of a critique group that I head recently had an email dialogue about what to call one of the member’s ongoing projects. As the process unfolded, I thought about my own struggles naming my projects and how the naming of a photographic project is arguably the most important step in the process of defining and shaping such a project.
This podcast explores the evolution of my photo-essays, including many of my grant-funded projects, including my work on the pesticide poisoning of farm-workers in California, the Israeli and Palestinian conflict, fishermen in Gloucester , MA as well as the communities of South Asian immigrants in America
I have been producing photo-essays in one form or another for a couple decades. In that time, my approach to them has changed, as have the various ways that photo-essays are seen. After a long, slow decline in outlets, a new and exciting one has appeared.