Tagged With « point of view »
Editing a large set of images down to a select few is a challenge for most photographers. In this podcast, I take you with me as I am photographing and then you watch and listen as I am editing my “shoot” down to the selects.
Last week I blogged about how the terrible events of 9/11/01 changed photography. (Or maybe more accurately, how the photography that came out of that day highlighted the changes in the culture of photography that were just picking up speed at that moment.) That essay was written from the perspective of a blogger first and a photographer second. This week I approach the same topic the other way, as a photographer first and a blogger second.
How do you become a better photographer? That’s the big question isn’t it? In my experience, the best way is to take a lot of pictures and then get serious feedback on those same photos. (The second best way is to look at the work of other photographers.) With that in mind, then how exactly how do you critique photographs? As I say in my classes, “Saying wow, neat or cool is not critiquing photographs.” To seriously give (and get) feedback on photographs, we need a common, serious, analytical language for critiquing photographs.
I recently wound up my time in Asia with a stop in Singapore, where I gave a few short presentations to large audiences as well as some longer workshops for smaller audiences. Everyone I worked with seemed happy with what I did, so I will be going back next year. So keep an eye on the workshops page of my website to see exactly when I will be going back and what I will be doing. The very last thing I did when I was there this year was to teach my favorite class. I ended that class with my favorite teaching exercise.
This podcast introduces a clearly delineated set of criteria to use in critiquing and analyzing photographs, regardless of the type of photograph.
This podcast takes you through the second section of a two part process of editing a large number of images down top a select few.
This podcast takes you through the process of editing a large number of images down top a select few.
I recently read an article by Steve Raymer, a former National Geographic photographer who now teaches at Indiana University. He was discussing how photojournalists “frame” issues. He was not talking about the literal framing of images or the composition, but rather how concepts and ideas are organized and presented by photojournalists. That got me thinking about my own work and how I had “framed” different issues that I had explored over the years. I also started to wonder if the way I framed things had helped or hurt my career.
This podcast explores the evolution of my photo-essays, including many of my grant-funded projects, including my work on the pesticide poisoning of farm-workers in California, the Israeli and Palestinian conflict, fishermen in Gloucester , MA as well as the communities of South Asian immigrants in America
I have been producing photo-essays in one form or another for a couple decades. In that time, my approach to them has changed, as have the various ways that photo-essays are seen. After a long, slow decline in outlets, a new and exciting one has appeared.