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  • Good storytelling is good storytelling

    Last week I wrote about how I was going to stop blogging on a fixed schedule. That still holds true, but since writing that, I had one of those “aha” moments where I was prompted to think about something in great depth. All that thought and pondering shouldn’t go to waste and so here it is as a blog entry.

    11

    May 12

  • About ongoing, on-line critique groups

    The photography world is often dominated by the rage for the latest camera, software or accessory. We all know that (and I am as guilty as the next person in terms of talking those up.) Long after the latest/greatest photo “toy” has been forgotten, there is one timeless thing that will make every one of us a better photographer, which is feedback. There are many ways to give and get that all-important feedback, much of which I have blogged about in the past. In my experience, one of the very best ways to get that is through an ongoing, on-line critique group.

    30

    Dec 11

  • Failure is a requirement

    I have been thinking about failure recently. What first comes to my mind when I say that word is the phrase, “failure is not an option.” NASA engineers made that line famous during the nearly disastrous Apollo 13 space flight. The phrase and its very focused message have long since entered our collective body of speech. The older I get, the more I think that at least for creative people, like photographers, failure is all but a requirement. For me this dichotomy is doubly interesting since, had I not become a photographer, I would have probably become an engineer of some sort.

    08

    Apr 11

  • How photojournalists frame issues, for better or worse

    I recently read an article by Steve Raymer, a former National Geographic photographer who now teaches at Indiana University. He was discussing how photojournalists “frame” issues. He was not talking about the literal framing of images or the composition, but rather how concepts and ideas are organized and presented by photojournalists. That got me thinking about my own work and how I had “framed” different issues that I had explored over the years. I also started to wonder if the way I framed things had helped or hurt my career.

    21

    Aug 09

  • Frequent Flyer (Part Two:) Commuting for personal and creative purposes

    I fly a lot for work, like most photographers.  I initially commuted for personal reasons like most people do. I wanted to be with my family as much as possible, while I was working on projects that seemed to always be “somewhere else.”  Eventually commuting became an integral part of my creative process as a photographer. This blog post is an argument for the idea that most photographers who work on long-term projects should consider building commuting into their creative processes.

    19

    Jun 09

  • The important process of naming a project

    The members of a critique group that I head recently had an email dialogue about what to call one of the member’s ongoing projects.  As the process unfolded, I thought about my own struggles naming my projects and how the naming of a photographic project is arguably the most important step in the process of defining and shaping such a project.

    13

    Apr 09

  • Creative evolution of my project “Concurrence: India”

    This podcast explores the creative evolution of my project, “Concurrence: India.” The work evolved from a literal reportage on globalization to a more personal exploration of the fluctuating encounter between the eternal and the modern.

    31

    Dec 08

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