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  • A blessing and a curse

    I have been putting a lot of time lately into my project photographing inside homes after the foreclosure and before the houses are cleaned up and resold. That moment is when I see what I think of the “ghosts” of the people who used to live in those homes. The work has been very well received lately, which got me wondering why that is. The educator in me (and the photographer in me) both want to understand why the images seem to work well for others. Every photographer has an idea about what his or her work should do for the viewer of the work, but so what. When a body of work succeeds in both the photographer’s mind and the viewer’s eye that’s something worth thinking about.

    27

    Apr 12

  • What 9/11 did NOT change in my photography

    Last week I blogged about how the terrible events of 9/11/01 changed photography. (Or maybe more accurately, how the photography that came out of that day highlighted the changes in the culture of photography that were just picking up speed at that moment.) That essay was written from the perspective of a blogger first and a photographer second. This week I approach the same topic the other way, as a photographer first and a blogger second.

    23

    Sep 11

  • Crowdfunding for better or worse

    Some of what shows up in my e-mail box makes me feel like I am getting old fast (or at least becoming old-school in my thinking.) A couple recent e-mails triggered this reaction again, but something in me pushed back and made me say to myself, “…maybe I am right and the change swirling around me is wrong.” Since this whole internal tug-of-war involved photography, it seemed like a natural topic for a blog entry.

    10

    Jun 11

  • The thinking behind my photo-essay “Foreclosed Dreams”

    In this podcast, I take you with me as I am photographing part of my ongoing photo-essay “Foreclosed Dreams.”

    13

    Oct 10

  • Thinking points for grant applications

    I have been very fortunate to have been honored with a number of grants and fellowships over the years. I will be the first to admit that they have been real milestones in my career. A peer recently wrote me with a question about my experience applying for such grants. In the process of thinking out and then writing down my response, I realized a couple things. The last thing I realized was that her question (and my response) were a blog entry in the making. The other insights that I had are part of the piece below.

    10

    Sep 10

  • A public radio interview with David H. Wells

    In 1992, I was interviewed by Melinda Whiting for Artscape, a public radio arts and culture program in Philadelphia. Our discussion started with my Middle East work. It went on to explore the intersection between art and photojournalism. Though the interview is 18 years old, the questions it raises are still relevant.

    28

    Jul 10

  • Grants made easy and grants made hard

    Is it my imagination or are some photography competitions almost begging for submissions? Lately, I have been inundated with calls for work! I have been gathering various these requests for submissions in order to make a blog entry on the subject. I am not sure if it was my looking for them that made me extra sensitive or maybe it might be how the web creates a kind of echo chamber so when one site lists a competition, five of my friends send me the same notification.

    08

    Feb 10

  • The transformative power of my first grant

    One of the first grants that I ever received was not a particularly big one, but it was an important one.  It taught me many lessons that I still follow to this day. It changed my life as a photographer.  That grant still exists today and I was surprised/pleased to get a recent update about it.

    09

    Feb 09

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