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A refresher course in low light photography
I am finishing up teaching a workshop in street photography at the Maine Media Workshops this week. As I have for the last decade or so, I am enjoying the students and the community that come together at the workshops. The place has an incredible energy and sharing that can only be experienced in person. In the spirit of that, I am blogging in response to a student’s recent question.
27
Aug 10
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In the first part of this series of blog entries, I wrote about recent ethics controversies spurred by student photographers going to places like Haiti in order to develop their skills and their portfolios, as they photograph the horror of that nation’s earthquake/disaster. I appreciate the ethical issues raised by such actions, but my overarching question was, and still is, how do aspiring conflict photographers develop the skills required for covering war/disaster? In this blog entry, I will talk about how I developed my own, limited skills in that area of photojournalism and what I learned in the process of gaining those skills.
16
Jul 10
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For the last few months I have been carrying around a copy of a commentary written by the National Geographic photographer, turned university professor, Steve Raymer. It appeared in the March, 2010 issue of the magazine, News Photographer (which is published by the National Press Photographer’s Association.) He talks about the photography of Haiti’s earthquake/disaster as well as the ethics of students going to places like Haiti in an attempt to develop their portfolios as they photograph that horror. All of this, and last week’s “bandh,” here in India, prompted me to tease out some of my own “war stories” and put them down in type.
12
Jul 10
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My last blog entry, exploring gear and goals left me thinking about my own gear acquisition history. I have written before about how, these days, I tend to be slow to adopt new gear. I only displace technology that works well for me if the newer technology is a notable improvement. (DSLRs that capture video are one example of a notable technology shift.) I will be first to admit this was not always the case. In college and during my first few years as a freelancer, I churned through different sets of gear. I was trying to figure out who I was as a photographer (and which technology would help me make the photographs I wanted to make.) In looking back, I have noted that certain pieces of gear have stayed with me throughout over my career, including some that have been with me a very long time.
14
Jun 10
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A friend wrote me with a variation of the most common question I am asked, “What gear should I buy next?” In a technology-based pursuit like photography, the question appears to make sense. This is doubly so in a creative pursuit which is largely shared through advertising driven media. Before I answered him, I grilled him with a few more questions. Then I came back to him with a suggestion for the one thing that every photographer should be spending more time and money on, especially these days.
11
Jun 10
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Pictures, purges and process (part one)
I recently wound up a series of blog entries exploring my experiences with and thoughts about technology. The non-technological process of spring-cleaning prompted all of these posts. In the process of that cleaning (or more accurately my massive archival purge,) I looked at thousands and thousands of my old images. Some scared me, some impressed me and some surprised me. Though it was not my intention, it turned out to be a great way to consider the arc of my evolution, as a photographer and as a professional.
30
Apr 10
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About a month ago, my teenage daughter saw the new, sleek Olympus camera (the E-P1) that I have been using lately. She said she wanted to try it out. I was not sure if she was motivated by purely adolescent curiosity or her generation’s obsession with the newest, latest thing. I do know that although she spent her childhood in front of my camera being photographed for fun and work, she never has shown much interest in being behind the camera. Watching her use the new camera and then looking at the work she made set me to thinking (and blogging.)
05
Apr 10
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Seasons for motorcycle riding (and photographing)
With the arrival of November and the seriously cold weather, I just put my motorcycle away for the season. The way I was taught to “winterize” my bike involves a series of steps; changing the oil/filter, filling the gas tank and then chemically treating that new fuel. The last step involves partly disassembling the motorcycle in order to remove the battery, which comes inside with me for the winter. At the end, I look back with a bit of sadness at my pride and joy because she is splayed in pieces across the garage, as I pull the garage door shut. The whole process is slow, precise and requires a certain methodology. At the same time, it also marks the change of seasons for me.
13
Nov 09
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Golfers, psychotherapists and photographers
The legendary golfer, Jack Nicklaus is supposed to have said: “Golf is 90% mental.” So, you are asking yourself, what does golf (a sport I normally have no interest in) have to do with photography, the pursuit that I love? More than I ever thought, actually.
12
Oct 09
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A lesson in seeing and working a situation
This podcast explores the many different ways you can photograph one subject
07
Oct 09
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What can the assistant bring to the photographer?
When I wrote the recent post on “Group questions versus individual questions ns,” I was obviously writing about that topic. But, I was also using the process of writing to clarify my own thinking on that subject. As I started to answer a query from a student in the Fotovision class that I just finished in California, I ended up similarly clarifying my own thinking on another topic.
25
Sep 09
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The keys to good street photography
I will soon be heading north to teach a class in “Street Photography” at the Maine Media Workshops. I was organizing my lessons, assignments and the images I will show the class, when a photographer who wanted to attend but could not, wrote me with some questions. I realized that answering his questions would help him grow AND help me improve the class I am about to teach.
10
Aug 09
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“Working” a situation when photographing
This podcast explores the important process “working” a situation, making a variety of images of a given subject, by changing the photographer’s position, the camera’s orientation, the focal length of the lens, etc.
03
Jun 09
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Top ten keys to be a successful photojournalist (Part two)
I just wound up an interesting assignment in California. I wrote the first half of this two-part blog entry right after the first day of the project. Now that I have finished and I am writing the second half of the entry, certain points I wanted to share are even clearer to me than when I started.
04
May 09
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Top ten keys to be a successful photojournalist (Part one)
I am starting an interesting assignment in California. So far, it has been a lot of fun, but it has also been a great deal of hard work. To be honest, because I do not work on as many assignments as I once did, I was worried I would be rusty. In fact it has been quite the opposite. All the skills I developed over the decades that I was doing assignment work came back to me easily, a bit like riding a bicycle (or motorcycle.) Thinking about them led me to writing them down as a blog post.
01
May 09
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One photographer’s career path
This podcast explores my career path, from student photographer to established professional. As I tell my story, I show photographs from the many phases of my career.
28
Jan 09
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Photographs as mirrors and windows
I often tell my students that their best photographs are the ones that reflect their personalities, life experiences and outlooks. I was recently giving a presentation, when an audience member’s question stopped me cold and forced me to articulate how that same idea has played out in my own work.
26
Jan 09
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How I learned to critique photographs
I was reviewing another photographer’s work recently. Left and right, I was tossing off suggestions for improving the images. Though I was thinking intensely about the work, I was largely unaware of my own process, as I critiqued the work. When she asked me how I had learned to critique images so fluidly, I was stopped in my tracks.
19
Jan 09
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Where I learned the most about photographing
I recently realized that if I carefully look at my career as a photographer, I can pinpoint where I learned the most about the act of photographing. It was not in high school, where I learned the craft of photography. Nor was it in college, where my study of the history of photography taught me about the art of photography. It was in a different place, one that I fear is fast disappearing from the photographic landscape.
16
Jan 09
