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I have been putting a lot of time lately into my project photographing inside homes after the foreclosure and before the houses are cleaned up and resold. That moment is when I see what I think of the “ghosts” of the people who used to live in those homes. The work has been very well received lately, which got me wondering why that is. The educator in me (and the photographer in me) both want to understand why the images seem to work well for others. Every photographer has an idea about what his or her work should do for the viewer of the work, but so what. When a body of work succeeds in both the photographer’s mind and the viewer’s eye that’s something worth thinking about.
27
Apr 12
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Photography books with authorship
Last week I blogged about a couple of my favorite photography books, neither of which have any pictures. This week I am thinking about photography books that actually have pictures in them. What got me thinking about these books is how the authors each bring something special to their projects. I am not writing about the books because the photographers are my friends (though some are.) I am writing about them because each of the photographers in question has done one or more things to make their books interesting and distinctive.
13
Apr 12
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Photography book without pictures
I just finished a great book on photography. It had no pictures. It didn’t have a whole lot of instruction or technology either. I will be the first to admit that I had my doubts about it when I picked it up, but I thought I’d give it a try. I should have known better, since the publisher also produced one of my favorite photography books. After reading it, I had a new perspective on photography and I also realized it was the kind of book I wish I had written. What book was it? Read on!
06
Apr 12
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My recent road trip left me with a lot of time for thinking about, among other things, books. In the “old” days, which were not that long ago, such a trip would mean buying / reading a few books over the six weeks I was on the road. It also meant planning how to get the books while traveling, how to carry them and where to leave them (or who to give them to) when I was finished, This trip, that whole routine was gone.
04
Feb 11
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A fifth photographer’s problem
I have written extensively about what I describe as the four “photographer’s problems” (or questions.) These are issues that every serious photographer should consider regularly. I mention these in classes and during presentations to get photographers thinking about photography’s important issues, rather than obsessing about the gear they use. I am surprised to say that I am thinking of adding a fifth question, but I am not 100% sure. Writing this blog entry may help me think out loud, as I decide, four or five?
03
Dec 10
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The thinking behind my photo-essay “Foreclosed Dreams”
In this podcast, I take you with me as I am photographing part of my ongoing photo-essay “Foreclosed Dreams.”
13
Oct 10
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The thinking and tools behind “Carnival, time”
In this podcast, I explain my thinking and the tools that I used in making the podcast (time-lapse image animation) that I call Carnival, time.
08
Sep 10
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In this podcast, I share a multi-media piece that I made in India. Then I explore the inspiration that motivated me to make that piece.
25
Aug 10
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The podcast walks you through the process as I have an idea for a photograph, think it through, take some pictures, look at what I have done and keep working on it till the photograph has just the feeling I want it to have.
07
Apr 10
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The four questions each photographer should ask themselves
The Jewish holiday of Passover (or Pesach) is almost here and with it comes the Seder. That ritualized meal marks the holiday as it prompts the attendees to eat and to ask themselves some important questions. These include important questions of freedom vs. slavery and vengeance vs. empathy. One highlight of the Seder ritual is the asking of the four questions, by the youngest person at the table. Though I have long since given up on being the one to ask those questions, I have been compiling my own list of four questions for photographers. This time of year seemed to be the logical time to share those.
26
Mar 10
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Thinking points for any photographer
I was recently catching up on my reading of photography magazines and enjoying one of my favorite magazines. I remembered what great a resource it was and how much I had learned from the recently started publication. Then I also remembered it was free, which made it all that much of a better “read.” I am assuming they make their money via advertising because they are not making it via subscriptions. I think one reason they are so successful (and get lots of advertising) is that they do a good job of staying “on message.” They focus on their one area of interest and largely ignoring the rest of the vast world of digital photography.
19
Feb 10
